"House of Rivers..." Poems
By Ginny HoyleHOUSE OF RIVERS, HOUSE OF CLAY
HOUSE OF RIVERS
You come home to your first home,
green and reedy, furnished with redwing blackbirds.
A house you share with the Great Blue Heron,
stick nest hidden deep in the canopy.
House of deep morning where two rivers slip
through your fingers
flooding empty rooms with loss.
Home at last unsettled one, to make peace with all that formed you—
A dappled childhood, shadow and light that gave you quiet eyes.
Here you rest in the mind’s half-closed eye
flat as a reed on the outbound tide,
a body dissolved in rapt attention watching
fiddler crabs scavenge the mudflats
until the powdery light of dusk
settles in the cattails and a light
in the kitchen window calls
the children home.
ROLLING STONE
I stole this stone from a Tennessee river, took it straight from its stony bed.
Right away I liked its milky opacity, cool as a cave in my open hand.
I could say I chose this stone because all my dreams trace this river
past towering banks of rhododendron to a sinkhole hidden
by massive shoulders of Precambrian stone where the river plunges
deep into time. But the stone chose me.
Right away it liked my empty pockets, my stumbling feet
and my hands, lost and searching at the ends of my arms.
Now the stone sits on a white ledge in a white room and remembers
the benediction of water: the way afternoon light adagios
through a grove of cathedral ferns. The way a father walks a child
out of the forest into the world and she learns she is safe enough
where snow swirls in high silence on the Great Divide
and ancient stars burn into time.
HOUSE OF FIRE
I lived in a house of fire, drawn
to its white-hot heart, flaming tongues raging.
Fiery sofas. Fiery beds. Plates, cups,
shoes, books hurled, burning.
I lingered in that house of flame, dazzled by heat
bending light into shimmer, loving the stunt
of narrow escape, the searing illusion
of searing truth, everything, perhaps at stake.
Too long, too long in the hot house
until at last it taught me this:
Out of great pain, out of great love, the heart breaks
open—fearless, spilling light.
I WAS 16
I remember, Mother, how you looked in your clean white strait jacket:
a 90-pound finch, wings pinned
useless at your sides.
House of rivers, house of reeds, summer mornings voiced by redwings.
How we hid the scissors, hid the knives, lied
under doctor’s orders to fool your fiery mind.
House of suffocating heat. House of sorrowful tides.
The sunny day they came for you, a trance of alibis,
capture construed as rescue—your or ours?
Great Blue Heron stock still in the water, yes
to save you we betrayed you.
Eyes of the hunter, hunter eyes trained on murky depths; life beneath the surface furtive, miraculous
how we survived, like sticks hurled the way you taught us into the flood-gorged stream, sinking under the stone bridge, popping up on the other side.
Glimmer world of ebb and flow;
your face as they forced you into the ambulance alone,
things no more, no less than they are:
the terror in your eyes.
How we hid behind dark trees watching. Our own blank fear. And a long year in a beige house beside a tidal inlet, no outlet for our pain,
the mystery of other creatures breathing, feeding,
singing.
SUNRISE
Called to the window by petals
leaping, morning breeze. No words
soft enough to say
how this delicate infusion
(a teaspoon of violet dissolved
in an empty sky)
alters the intake of breath.
I bow my head
and look into my heart:
open door
patch of sky
and the wind blows through.
HOUSE OF CLAY
As for me, I will choose this mud-walled home, speckled
with stubble of stick and straw, daubed with pine pitch.
House of humble clay, this planet Earth, formed by fire, cured
by the heat of a star, chiseled by rivers, by rivers of air,
six million years of human hunger, love
and war. House of forest, prairie, canyon, sky.
Of tawny savannahs roamed by the last wild herds,
zebra surging over Serengeti Plains.
House of terraced field, coral reef, desert sand, raging river
and dry well. Of polar waters’ waning ice, granite peaks
ringed by indefinite clouds. O house of sweet wet clay,
riddled with fine roots, malleable in human hands.
Our small shared house of flowering earth
For six—no, seven billion mouths. Our one clay cup.
BED OF ROSES
6:00 AM
We sleep on cotton roses deftly woven. Not a single thorn.
Summer air sluices through window screens.
7:00 AM
The borders of tranquility are breached.
News of the world batters the front door.
Sunday paper. Silent catharsis. Over coffee
we initial copies of an old confession.
News as chorus. As hymnal. As siren.
Is the world more hurt or have I grown old?
8:00 AM
You sink back to sleep. I pull on shorts,
head for the garden, bathe both arms
in waves of aromatic mint, pull
long cool strands of grass, one at a time.
A fool’s errand. A willing fool greedy for life.
Bees in the roses. Grackle in midair.
HIGH ON RAIN
High on rain
I sit transfixed;
the afternoon slips inside the eye
of the sparrow who flits
from nest to roof
to nest again,
his shrill cry a mantra,
a green wall drawn around us
walling out nothing at all.
Afternoon after rain,
wind chimes a temple bell stuck
on one low-throated note. Spent
blossoms fringe the ends
of green apples,
not one bigger than an English pea.
This late May nursery of egg and seed
and song thinly veiled by a screen
of fine-toothed leaves—99,099 faces of god—
and all this time abhinivesa,
fear of the hawk,
fear of death, sweetens
every indrawn breath.
ONOMATOPOEIA
The word is like a drug.
Sit here beside me
with your coffee and your long list
of things to do
while I whisper
drowsy
drowsy
drowsy.
Look. Your stupid list
is a paper boat
adrift
in a hot black sea.
Kiss me.
HOUSE OF AIR
YES I DO
Actually, the piano plays the man, pulls notes
from his vinyl fingers, plucks chords
from his supple spine and the brass—oh, saxophone alone
tells our troubles so sweet, we just learn to love them
as we love life, this comical tune spun from dust
kicked up by kids in a sandbox circled by mothers
whose arms are green willows and brave-shouldered fathers
whose hearts are shields emblazoned with tears—this
is the music that lives us, sometimes a radio caught
between stations, fritzing unnoticed in unheated rooms,
sometimes a ballad poured on the wounds
of the stone-faced man in the airport bar,
sometimes a slow rhythmic insistence
like a thrummed bass joined by a red piano
wringing the brilliance out of the spaces
between the notes and before you know it
there’s a trumpet spinning truth out of each
exhalation and you catch yourself
just for an instant falling awake
as the music holds you in its bony arms
and opens your eyes with the blade
of your heart.
EQUIPOISE: SATURDAY AT THE GARDENS
I take my seat beside a fountain—
white beads pepper black water.
Twelve stacked Buddhas loom
above the shallow pool
impossible tower balanced
between heaven and earth
a band of Buddhas caught in the act
of equipoise, tribute to the power
of human attention, the warm joke of gravity
stashed in flowing bronze sleeves.
I open an empty book, place it on a concrete wall,
I am here to receive the morning.
Muddled clouds hide a flat white sun; small birds
slash mild air into random diagonals.
At my feet, the sky
given back by water:
thin skin of vapor
pierced by wind.
GRAFFITI SCRAWLED ON DEEP SPACE
We were here.
We passed through, life
coming at us, a torrent of molecules
and moments.
We were brilliant, savage, easily bored.
We were like a dog
with his head out the window of the car
at 50 miles an hour,
ears pinned back,
cheeks whuffling
as we gulped the summer wind, feeding
on pure sensation.
We chased our share of rabbits, danced
our little dreams, disappeared.
In our wake,
a nursery of stars